Musician’s Dystonia Treatment

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WHAT IS Musician's Focal Dystonia?

Musician’s focal dystonia is considered a neurological motor disorder characterized by involuntary muscle contractions that interfere with playing a musical instrument. It is a task-specific dystonia, meaning that actions involved in playing, such as strumming a chord on a guitar, forming an embouchure, lifting a trumpet into playing position, or pushing piano keys down, trigger involuntary muscle contractions. Sufferers may experience these as extreme tightness, shaking or cramping. Some may also notice a loss of coordination, endurance, range or speed.

 

In our research and experience, musician’s dystonia usually involves more than the involuntary muscle contractions affected musicians notice most. The condition is part of an overactive nervous system and frequently tangled up with mental and emotional distress such as fear, anxiety, doubt, and confusion; trauma and other negative experiences. Even playing elements, such as breathing and posture, can be impacted. The body is not broken, but, somewhere along the way, playing became a threat. For us, it is a whole body, whole mind condition—one that requires a comprehensive approach based on the individual. 


DYSTONIA

RESOURCES

RECEIVE

SUPPORT

YOUR 10 FREE

VIDEO LESSONS

A FEW WORDS FROM

Grammy Award Winner CRAIG KLINE

"Hey trumpet friends. I began working with Australian trumpet player Greg Spence about 11 months ago. His team, including Julie Baxes, have helped me get to a point of playing very close to symptom free of Focal Dystonia after struggling with it for almost 20 years." Bill Clark, Vancouver Trumpet Player & Composer

SUCCESS STORIES

Synkinesis

Recovery

Willie Murillo talks about his recovery from Bell's palsy/synkinesis using exercises and visualisations from Greg Spence.

Embouchure Dysfunction

Renaud Gensane talks about his embouchure dysfunction and gives an example of his playing before and after recovery.

The Julie Baxes

Journey

A FEW MORE WORDS OF SUCCESS

fubrian Logo - Recovery Training for Musician’s Focal Dystonia, Bell’s Palsy/Synkinesis and  Performance Anxiety

Truly Astonished

"I really am totally, truly astonished at the difference you made yesterday. I can see better, breathe better, the face just feels more comfortable, the pitching and range on the horn are better, my 'blowing direction' has come at least 10 degrees closer to centre and the playing has become more repeatable." 

Jutta, UK

fubrian Logo - Recovery Training for Musician’s Focal Dystonia, Bell’s Palsy/Synkinesis and  Performance Anxiety

Greg is a Genius

"An epiphany, I'm convinced Greg is a genius. He has solved my decade long inability to play with any ease above the stave. High C is now as easy as talking."

Paul Hollingsworth, New York

fubrian Logo - Recovery Training for Musician’s Focal Dystonia, Bell’s Palsy/Synkinesis and  Performance Anxiety

I Feel So Fortunate

“Is anyone else on the planet teaching so effectively about how to approach the learning process involved in reprogramming motor skills? I feel so fortunate to have access to this great pedagogue! The process is the purpose!”

Eric Eindenheim, Jersey City

MEET THE FUBRIAN FOUNDERS

Greg Spence is an internationally renowned performing artist, educator and coach. He is the rare breed of being both a world-class trumpet player and an innovator of brass education. Greg specializes in helping musicians overcome focal dystonia, Bell’s palsy/synkinesis and performance anxiety.


With his versatility in commercial, jazz, Latin American, funk and classical playing, Greg has been an in-demand trumpeter for national advertising campaigns, theater shows, concerts, symphony features, Australia’s smash hit “Dancing with the Stars” and more. He has played alongside some of the most recognized performers in the world including James Morrison, Wayne Bergeron, Herbie Hancock, Florence and the Machine, Katy Perry, Bobby Shew, Olivia Newton-John, Jose Feliciano, Shirley Bassey, Human Nature, The Cat Empire, Ministry of Sound, Seal and Tim Minchin, just to name a few.


As a sought-after visiting artist and clinician at top-line universities, Greg has held master classes throughout Europe, the United States and Australia. He has also been a guest presenter at the International Trumpet Guild conference and Midwest Clinic.


Greg incorporates physics, neurology and psychology into a holistic, groundbreaking pedagogy that simplifies brass-playing techniques. He has coached professional players and educators from prestigious organizations all over the world including the Royal College of Music, London; University of North Texas; University Of Ljubljana, Slovenia; Sydney Symphony Orchestra; Baylor University; New Zealand Symphony Orchestra; Berlin Symphony Orchestra; RTE Concert Orchestra, Dublin; Copenhagen Philharmonic; and more. 


Greg holds a B.A. in trumpet performance from the Victorian College of the Arts University.

Julie Baxes is a trumpet player who began her music journey as a pianist, performing with church choirs, in small ensembles, and for weddings and other special occasions. She picked up trumpet in her mid40s, took lessons with various teachers over the years, and has studied exclusively with Greg Spence for more than 5 years.

 

Julie has performed with area bands, the Jeffco Brass, university jazz and concert bands, and the Rocky Mountain Brassworks, a British-style brass band that plays in metro area venues. 


She began experiencing symptoms of musician’s focal dystonia about 6 years ago. These migrated from rehearsals to the practice room, lessons and performances, eventually requiring Julie to leave her performing groups. Fortunately, she reconnected with Greg Spence after studying with him previously. Together, they have been extensively researching musician’s focal dystonia, recording hundreds of session hours and developing effective recovery strategies. As a result, Julie has made remarkable progress and will soon return to rehearsals and gigs.


Julie has worked in the marketing communications and public affairs field for more than 30 years as a writer, editor, public speaker, staff manager, marketing and public affairs strategist, and special events manager. She holds a B.A. in journalism and a marketing minor from Arizona State University.

UPCOMING APPEARANCES

ITG 2026

May 26-30, 2026

Rochester, NY

Visit the Mystery to Mastery Exhibit

Stop by to say hello, talk shop, and explore our latest brass-playing resources.

 

Featured Masterclass with Greg Spence:

Thurs., May 28 at 10 a.m.

Kilbourn Hall

“Using Powerful Learning Strategies to Build Healthy Brass Playing and Performance” 

Discover how to play with more ease, freedom, and confidence.

 

Register Now at itgconference.org 

Starting Your Musician's Dystonia Recovery

In this video, we help you understand that you are not broken. You are more than capable of getting through musician’s dystonia, and there is hope for you if you suffer from Bell’s palsy/synkinesis.

There is a path to recovery for you!

Book a FREE Musician's Dystonia Assessment

We are offering a free service to help evaluate your issue personally.

10 free Musician's Dystonia Recovery videos

10 POWERFUL FREE VIDEO LESSONS WITH GREG SPENCE AND JULIE BAXES!

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Book Your Musician's Dystonia Recovery Session

Start your journey to healthy playing today by booking in your recovery session.

Musician's Focal Dystonia Coaching Package

Book your initial 3-session Musician's Focal Dystonia package with Julie and Greg here.

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Musician's Focal Dystonia Coaching with Greg Spence

Book your one-on-one Musician's Focal Dystonia session with Greg here.

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Musician's Focal Dystonia Coaching with Julie Baxes

Book your one-on-one Musician's Focal Dystonia session with Julie here.

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Rediscover Your Confidence

Embouchure Dystonia Recovery

Hand Dystonia Recovery

Finger Dystonia Recovery

Cervical Dystonia Recovery

FAQs

Please contact us with any questions we haven’t answered here.

Fubrian FAQs

  • What is the Fubrian website all about?

    Fubrian is a resource to help musicians resolve complex, difficult issues such as focal dystonia, a lingering effect of Bell’s palsy known as synkinesis and performance anxiety. We’re here to help you move the obstacles out of the way and become the player you want to be.


  • What does the word "Fubrian" mean?

    In our work, we refer to the subconscious mind as “Brian.” Fubrian stands for “Fix Up, BRIAN!”  


  • Can I become the player I once was?

    You can become a much better musician than you were before! Our targeted tools and strategies will help free you up psychologically and physically, allowing you to share music with confidence, joy and efficiency.   


  • Is Fubrian only for musicians?

    Initially for musicians, Fubrian is intended to be a resource for anyone who “performs,” from the amateur to the professional. Performing includes public speaking, sports, and, of course, music.  


Musician's Focal Dystonia FAQs

  • How long will my recovery take?

    We’ve seen a few clients take huge leaps forward immediately to the point of winning back a playing job. While this can happen with the right perspective and understanding, it is far more common for musicians to need time to understand and correctly apply our recovery system.

    There are also individual aspects of focal dystonia development that can affect recovery time. At first, progress can seem painfully slow, but calmly sticking to the building process will mean faster improvement as you go along.

  • How do I know if I have musician’s focal dystonia?

    Focal dystonia can mimic other conditions, and some symptoms may seem like focal dystonia when they may actually be a mechanical playing issue. We are not medical doctors and encourage you to seek medical advice as necessary. However, we offer a free assessment to see if our recovery approach is right for you.

  • Will I be able to play and perform again?

    Yes! This may seem like light years away right now, but our goal is to get you playing and performing better than ever!

  • How much coaching will I need and how often to be successful?

    This depends on the individual. Some clients prefer regularly scheduled sessions to keep them out of weed patches, while others prefer to work on their own with occasional sessions. Our initial 3-session coaching package will get you on your way. Once you have completed this, you can choose what works best for you and adjust this as needed.

  • Does your recovery approach work for all musicians?

    First of all, this is not about your instrument, although it can seem like it is. This is about what is going on in your brain, and the messaging between the brain and muscles. Our recovery strategies can be applied to many forms of musician’s focal dystonia, as the principles are the same, regardless of your instrument.

  • Why is your recovery approach different?

    We address this as a whole mind, whole body condition and use a multi-faceted system to build healthy neural pathways that eventually become your new playing reference. Our approach emphasizes sensation development, and uses advanced learning techniques, along with personalized training drills, to help you turn off symptoms and make permanent change. 


Bell's Palsy/Synkinesis FAQs

  • Is Bell's palsy permanent?

    In most cases, Bell's palsy is temporary, with the majority of people recovering fully within 3 to 6 months. Some, however, may experience lingering weakness or facial asymmetry.

  • Why does synkinesis develop after Bell’s palsy?

    This is believed to be caused by abnormal facial nerve regeneration. During recovery from Bell’s palsy, the facial nerve fibers may inadvertently be implanted into different muscles, causing unwanted and involuntary movement of facial muscles. This unfortunate side effect tends to be more common in cases of prolonged Bell’s palsy. 

  • Can synkinesis get worse over time?

    Synkinesis doesn’t usually worsen with time, but without treatment, the involuntary movements can become more noticeable or bothersome. Early management can help reduce symptoms and improve quality of life.

  • How long will it take for me to recover from synkinesis using your approach?

    While this depends on symptoms, we’ve seen remarkable progress in our clients, often within one or two sessions, and with better results than other therapies offer.